“…like her idol Mimi Marley (performed to the max by the versatile Kit Krull who plays several other men, women, and latkes equally perfectly).”

“…Lady Macbeth’s “Out, damned spot!” monologue is particularly magnificent, recited in heartbreaking earnestness by Kit Krull. Krull’s Lady Macbeth had previously bounced from frightening to seductive to silly, rendering her anguish all the more powerful.”

dc theater arts 2022 staff favorite for individual professional performance

“…Krull plays Tilly with youthful energy and freedom, having created a world in the game where she can be her true, authentic self and create a community of people like her in the party.”

“…Krull captures Wendla’s sweetness, charm, beauty and vulnerability. Her opening scene with her mother “Mama Who Bore Me” as she begs to find out the facts of life and the scene in Act II where she finds out about the consequences of her passion, “Whispering” are two of the best in the musical.”

“…Krull does an exceptional job of delivering the spastic little girl with volcanic consistency throughout the performance. Particularly during her scenes with her hilariously hyper-sexualized dads, Krull finds their foothold in the character’s outbursts, which serve as enthusiastic emotional fuel for “Woe is Me” and really drives home the pitiable element of that particular song’s reprise.”